DIGITAL MOTION PICTURE FILM SCANNING (TRANSFER) & ARCHIVISTS OF SOUND OR SILENT MOVIE FILM IN SD, HD, 2K, 3K, 4K, 5K, 6.5K FOR REGULAR 8MM, SUPER 8MM, 9.5MM SUPER 16MM, REGULAR 16MM & 35MM TO FILE FORMATS, DVD, BLU-RAY DISCS, HARD DRIVES OR USB THUMB/FLASH DRIVES

TMTV

We are a company you can trust with years of experience and using the latest, state-of-the-art motion picture film scanning (Transfer) equipment.

We will beat ANY competitor’s pricing in North America that offers the same quality of motion picture film scanning and we will provide further discounts. (Some restrictions apply) COMPETITORS QUOTE

We are listed with KODAK Motion Picture Transfer & Processing (developing) Facilities. We use only the best supplies by Kodak in the processing, cleaning and editing of motion picture film.

CUSTOMER COMMENT: The quality from your movie film scanner is absolutely the best I have ever seen. I have had many films transferred over the years as media changes and as I have found more film stored and this quality topped them all. Great job! Henry M., Austin Texas USA (Motion Picture Film Scanning)

TMTV
TRUE Single Frame Digital Motion Picture Film Scanning™ (Transfer) – one frame scanned at-a-time

8mm, 16mm & 35mm film that requires an output to SD or HD is scanned in 2K and output to your choice in SD, HD or 2K resolution and available in a variety of file types depending on your requirements. 3K, 4K, 5K, 6.5K scanning is available for high-end projects. We use several specialty built scanners for a variety of damaged motion picture films requiring “RECOVERY” and the Lasergraphics ScanStation is available for 2K to 5.6K scanning for those professionals requiring hi-end archival & broadcast scans for warped but still pliable film as well as film in good to excellent condition.

TMTV
The RAW scanned image in standard definition (SD) of one frame of film (above) has been reduced in size for display on the website. 

Film scanning of 8mm, Super 8mm, Super 16, 16mm silent or sound or 35mm silent, colour, B&W or negative motion picture films for home movies, the professional movie maker or for our film recovery, restoration and archival services. Film is scanned (transferred) and can be output to several file formats for computer viewing and editing or we can create HD Blu Ray DVD or SD DVD.

Film is scanned Flat (what we also call Raw), however, we do provide “Best Light” exposure, light “Grain” reduction, mid “Shadow” detail and White “balance”) each frame of film is individually scanned, uncompressed onto our hard drives. Once there, we can view the scanned files immediately and then export them in standard definition (SD), high definition (HD) or 2K, 4K, 5K, 6.5K compressed or uncompressed files and placed on a portable hard drive or USB flash/thumb drive that can be plugged into your non-linear computer edit system (NLE) and then edited. There are options to provide post scene by scene color and exposure/density correction and exported as a completed movie in various files of your choice or make DVD or Blu Ray HD Master discs for playback and distribution.

SCANNING OF EACH STATIONARY INDIVIDUAL FRAME INTO A PC: After scanning, we can export your transferred movies to several file formats for either PC or Mac: 1) M-JPEG .MOV QUICK TIME, 2) AVI (Audio-Video Interleaved). 3) NUMBERED IMAGE SEQUENCE (photos of each frame of film) IN JPEG, PNG, BMP OR TIFF IMAGES 3) AVI files.

EXPORT FILE FORMATS FOR SD, HD, 2K HD 

These are the standard file options we provide for your home movies or professional films. 

CLICK HERE FOR FURTHER DETAILS ON THESE FILE FORMATS AND FOR 4K, 5K OR 6.5K FILE FORMAT OPTIONS

VIDEO FILES

1) .MOV QUICK TIME video files in the MOTION JPEG (M-JPEG) codec. Though sometimes conversationally mistaken for the MPEG codec, please note that the “M”-JPEG codec is NOT the same thing as MPEG. The preferred M-JPEG codec maintains individual data for each frame of film on a separate digital video frame while the MPEG codec uses information from preceding video frames to fill in missing information on the next video frame. We can also output AVI in SD, HD or HD 2K.

2) NUMBERED IMAGE SEQUENCE – each frame of movie film is a still image.

A folder with every frame of film scanned FLAT/RAW on an individual, digital still/photographic image frame that is numbered sequentially. These frames (photos) can be in JPEG, TIFF, PNG, or BMP in SD or HD or HD2K. (Most common file types used by our clients are JPEG or TIFF). Individual selected frames can be used to e-mail or create photographic prints. The FLAT or RAW images above, have been reduced in size for display on the website.

Numbered image sequences, otherwise known as Individual Image Frames or Image Sequences (sequential still photo image files) what we call NIS files. This jpeg image frame was originally scanned RAW (with no colour or exposure correction) at 24 bit in High Definition. We do provide “Best Light” exposure, light “Grain” reduction, mid “Shadow” detail and White “balance”). Any additional major effects such as scene-by-scene colour/exposure “correction” should be manipulated in post with either a video editing program or a photo program such as Photoshop™when using still image frames.

3) AVI FILES

AVI in SD or HD. These are a lawless compressed video files called, Audio-Video Interleaved (AVI) file used for editing on a personal computer or viewing in standard Windows format viewing software and compatible Mac software. We can output AVI in SD, HD or HD 2K.

SCANNING

Safe on film: All our film scanners
feature a safe scan zero image area contact at the gate and rubber guide rollers that handle the film only by the edges for maximum film safety. No sprockets, no advance claw, no capstan, no pinch roller, no belts, means no film damage.

Whether you need SD (standard def), 1080p HD (high def), 2K, 4K, 5K, all films are scanned uncompressed. Files are then exported to your choice of format from the original uncompressed scans for maximum clarity.

SETTINGS FOR SCANNING: Our system will be white balanced during transfer along with Best Light exposure, light Grain reduction, mid Shadow detail and we will set auto exposure. All file formats, NIS (Numbered Image Sequence), .MOV & AVI FILE formats will have color and brightness that can be enjoyed “as is”. But final brightness, contrast & gamma along with RGB control and color correction can be performed on your edit system to suit your personal taste. NOTE: If you are having TMTV create and edit a completed DVD, BluRay disc or a “Completed” converted file after transfer, all footage can be colour, exposure, grain reduction, dust removal and density corrected by our Colorist at additional cost. Otherwise you discs or files will be RAW FILES as explained above.

SOUND FILM: If your film is sound we create WAV PCM audio files from our Optical Sound Reader for 16mm or Optical/Magnetic Sound Reader for Super 8 with single or two track sound in real time from the audio track of the motion picture.

Checking and prepping Super 8 magnetic sound film before scanning

Uncompressed WAV (audio files) are created at 48 bit quality for both right and left channels. Audio WAV FILES allows for immediate use in any editing program or archival storage.We can provide complete audio restoration and re-master from the magnetic or optical sound strip (track) from Super 8mm or optical sound track from 16mm film and the WAV audio file can then be synchronized with the scanned film to create a completed sound movie. THE AUDIO CAN BE ENHANCED BY REMOVING CLICKS, POPS AND CRACKLES, CLEAN & BOOST LOW AUDIO. If you are choosing us to edit your film, the sound track can then be replaced back with the film to produce clean, clear audio to go along with your moving pictures. Otherwise we can simply supply the WAV Audio Files or a .MOV sound and/or a picture reference video file for you to edit on your editing program.

FILM PREPARATION & CLEANING PRIOR TO SCANNING

Preparing and repairing film prior to cleaning and scanning

FILM CONDITION BEFORE SCANNING (TRANSFER) – CLEANING & LUBRICATION TMTVISION Single Frame Digital Motion Picture Film Scanning. All films are prepped before transfer to repair bad splices and to look for potential bad or damaged film, then cleaned using our Kinetronics StaticVac Anti-Static Film Cleaner system. After cleaning all films are lubricated and a preservative added. If your film is in excellent condition, lubrication & preservatives may not be required, in this case we will only perform cleaning using the Kinetronics StaticVac. This would be determined during visual inspection when the films arrive at the lab.

Kinetronics StaticVac Anti-Static Film Cleaner , The perfect way to clean cinema film and photo negatives

OUR FILM CLEANING SYSTEM USED PRIOR TO LUBRICATION AND PRESERVATIVES: The Kinetronics StaticVac Anti-Static Film Cleaner is a vacuum cleaner to be used on film. It utilizes an electronic “bipolar” ionizing system. The StaticVac produces both positive and negative ions for complete static elimination. As the film is passed through the StaticVac, the ionization system gets rid of the static on the film. Then, the gentle StaticWisk brushes wipe dust and lint away. The vacuum action draws the dust and lint into the foam filter. Even Nikon’s digital ICE tool software does not replace the StaticVac film cleaner for the removal of dust from both sides of your film prior to scanning.

WET GATE SCANNING: In the past we have used a “Wet Gate” as an option. This solution does provide a good alternative to cleaning and minor scratch removal, however, we have found that in most cases, Wet Gate provides a softer image and loss of detail in the scanned image. Using cleaners, lubricants and preservatives during the preparation of your film works much better then Wet Gate. There are alternatives to using Wet Gate such as digital software enhancements including; scratch and dust removal in post that we feel works much better then Wet gate during scanning.

DAMAGED MOVIE FILM: Films that are in poor condition such as bent, warped, shrunk or brittle will have to be put through our recovery process and can only be transferred by digital scanning to avoid further damage to the film. SEE: FILM RECOVERY & RESTORATION

AFTER SCANNING

DELIVERY (MEDIA) FORMAT OPTIONS. EXPORTING TO MEDIA – DVD, BLU RAY, USB THUMB/FLASH DRIVES, PORTABLE USB HARD DRIVES OR SD CARDS. CLICK HERE FOR A VARIETY PRODUCTS

DVD & BLU RAY: We can create a “movie” from your films on DVD in standard definition or Blu-ray Disc in high definition with main titles & direct to disc printing for playing on your DVD or Blu Ray home player or Mac, PC NLE system with a DVD or Blu Ray disc drive. Maximum content for SD on a 4.7GB DVD-R is 60 minutes and maximum content in HD on a 25GB Blu Ray DVD is 90 minutes per disc. NOTE: these are for playback & viewing only and you can not extract or copy files from a DVD or Blu Ray disc master.

Exported “files” can be placed on a portable hard drive, SD card, USB thumb/flash drive for file storage, archiving and later use. NOTE: Depending on your type of file choice, exported files can be very large and take up a considerable amount of storage space. USB flash drives, SD cards and DVDs are limited by the amount of file storage that can be placed on these three media drives. The BEST option for file storage when dealing with a large amount of files, is a portable “plug and play” 3.0/3.1/3.2 USB hard drive or portable Solid State (SSD) hard drives.

NOTE: Movie (video files) are NTSC video format (North America and Japan) but we can output to PAL. 

OUR SUPPLIED MEDIA PREFERRED: We can only use customer supplied media if it meets our specifications.

SUPPLYING YOUR OWN MEDIA: You can supply your own 3.0 USB media but it must be large enough to fit all of your files. Hard Drives should have a standard USB 3.0 connection and must be PC/MAC compatible and pre-formatted in EXFAT or NTFS or you can supply brand new media. No warranty or guarantees on customer supplied media.

FILM SCANNING OPTIONS

Providing film scanning options in our one of our post production suites
  • Additional film cleaning with lubrication with preservatives
  • Secondary colour grading
  • Secondary grain reduction
  • Scene by scene colorization
  • Enhanced exposure of under/over exposed scenes
  • New film reels (if required or requested) price per reel and can size
  • Titles or on-screen credits or logos
  • Sound enhancements including adding music or narration
  • DVD or Blu Ray Archival Preservation Masters We include; scanning (Transfer) to a Digital Master: 100 YEAR ARCHIVAL PRESERVATION MASTERING DVD-R DISC (Certified Swiss Quality), direct to disc printing with your title information, full size DVD case, main title at the beginning of your movie (Example: SMITH FAMILY MOVIES)
  • Copies of any media including USB drives or DVDS
  • Additional file formats
  • Custom disc printing and packaging for your DVDs
  • New film reels/leader/cans

PRICING

Pricing is not provided by phone due to the many options available. However, please feel free to call us and talk directly to a lab technician during our regular business hours or email us anytime (including weekends and holidays) to discuss the many options and to help you prepare your films for us to provide you a detailed estimate by email showing the with discounts based on your volume and seniors, schools, student, veterans discounts.

TO RECEIVE AN ESTIMATE

Before requesting an estimate by e-mail for your film project please prepare a physical description of your film as best you can. Alternatively you may also send the film to our lab for a complete hands-on inspection and no obligation quote.

Please supply the following:

Name:

Phone Number:

Location:

How you heard about TMTV?

What is the format of your film; Regular 8mm, Super 8mm, 16mm or 35mm?

Does the film have a soundtrack? (99% of Regular/double 8mm film is silent, some Super 8mm or 16mm film could have a soundtrack). If you see a brown strip or stripe on either 16mm or Super 8mm in could be sound. If your 16mm has sprocket holes on one side of the film only and not both sides there could be an optical sound track or magnetic soundtrack (brown stripe). If you don’t know we will check for this during our inspection process once the films arrive.

Approximately how long is each reel? measured in feet or reel size. (SEE “FILM GUIDE” CHART BELOW).

Is the film on reels or cores? 8mm and Super 8mm film would normally be on reels. Some 16mm & 35mm may be on cores and no reels.

What file format do you require? IF YOU DO NOT KNOW WHAT FILE FORMAT YOU REQUIRE AT THIS TIME DON’T WORRY, WE CAN HELP YOU WITH THIS DECISION.

FILM CONDITION

FILM CONDITION: The films physical condition is important for us to provide an accurate estimate. Film can be in various condition from excellent, poor to very poor and film requiring “Recovery” if warped, curled, vinegar syndrome, very dirty, white powder (mold), brittle or damaged by water, flood or fire. Please check your films condition and provide, as-best-as-possible an accurate description. If you suspect that your film is damaged please let us know. You can also email us photos. If the films look good, no photos would be required.

Does your film smell like vinegar or have a bad odor, warped, shrunk, brittle, twisted? Then your film may need recovery before transfer. GO TO: Filmrecovery.net

FILM GUIDE SIZES

Most 8mm & 16mm home movie film speeds are 16 to 18 Frames per second (fps). This depended on the original setting on the camera when the film was shot. Professional film speeds and those with sound are usually shot at 24FPS.

SUBMITTING YOUR FILMS FOR SCANNING

Print out and sign the estimate we provided you by email and include it with your order.

When submitting film to the lab please number them CLEARLY in order of sequence, Example: 1, 2, 3, 4, 5. (do not use POST-IT Notes, they fall off). If you do not know their sequence please number them anyway for our reference on quantity and sizes when they arrive.

Once shipped, email us how and when shipped along with the tracking number.

ONCE THE FILM ARRIVES AT OUR LAB

Once the film arrives we will email you and then provide you an order number and then we will provide a full inspection.

The film will be inspected upon arrival to our lab and if there are any major issues we will contact you before proceeding.

IF YOU CHOOSE TO SEND YOUR FILM WITHOUT AN ESTIMATE OR PRICING – When submitting film to the lab please number them CLEARLY in order of sequence, Example: 1, 2, 3, 4, 5. (do not use POST-IT Notes, they fall off). If you do not know their sequence please number them anyway for reference on quantity. Please provide all your contact information with your films, email us and let us know how and when shipped along with the tracking number. Once the films arrive FREE FILM INSPECTION: You may ship your films to us for a complete hands-on inspection and quote with no obligation. If you choose not to have your films restored, cleaned or transferred after inspection by our technicians you would only pay for the shipping to and from our lab.

SHIPPING TO OUR LAB You may ship to our lab however you choose. Please ship by a reliable courier or by USPS or Canada post and get a tracking number. Return shipping to your destination will be included in the price quoted if your order has a value of $700.00 CND or more and is within our weight and size for free shipping (some restrictions apply). PLEASE READ OUR IMPORTANT SHIPPING INFORMATION IF SHIPPING FROM THE USA TO CANADA:

SHIPPING INFORMATION